Confucius Institute at Prince of Songkla University

Xi'an | The Terra Cotta Warriors | Big Wild Goose Pagoda | Bell Tower

Big Wild Goose Pagoda

Big Wild Goose Pagoda, situated in the Da Ci'en Temple, is one of the most famous Buddhist pagodas in China. It is
located about 4 kilometers from the urban center.

	History Background
	Originally built in 589 A.D. in the Sui Dynasty, the temple was named Wu Lou Si Temple until 648 A.D. when Emperor Li Zhi, then still a crown prince, sponsored a repair project on the temple. This was a symbol of thanksgiving to his mother for her kindness, after she had suffered an early death.The temple then assumed the present name, Temple of Da Ci'en (Thanksgiving). The Emperor Gaozong was said to pay homage to the temple twice a day by looking in its direction from the Hanyuan Palace. The temple, with 13 separate courtyards, contained 1,879 magnificent-looking rooms altogether and was a place of renown in the Tang Dynasty.However,it went into gradual decay after the downfall of the Tang Dynasty. The halls and rooms that have survived the age are structures that were built in the Ming Dynasty. The Tang Regime gave orders to build a chamber for the translation of Buddhist scriptures in an effort to have the then widely renowned Master Xuanzang (Monk Tripitaka) agree to be the head of the temple.
The Wild Goose Pagoda was finished in 652 A.D. Its five stories are 60 meters in height. The decay of the earth- cored pagoda caused the new construction of a 10- storied pagoda from 701 to 704. However, the winds of war, in the years to come, reduced the pagoda almost to ruins, which in turn resulted in the construction of a 7-storied, 64-meter-high structure today.

Architectural Complex

                 The storied pagoda was an architectural marvel. It was built with layers of bricks but without any cement in between.
         The bracket style in traditional Chinese architecture was also used in the construction. The seams between each layer
          of bricks and the "prisms' on each side of the pagoda are clearly visible. The grand body of the pagoda with its solemn
          appearance, simple style and high structure, is indeed a good example of ancient people's wisdom and talent.

Pictures of the Heavenly King and of Buddha are on the doorframe sand horizontal bars on four sides of the pagoda's
base. These stone sculptures display peak workmanship, and show vivid shapes and smooth lines.

               They now serve as an important source of material for the study of painting and sculpture of the Tang Dynasty. Out of
          these artistic works, the one on the horizontal bar of the west door is the most precious. It is a rare piece of art, now used
          for the study of the Tang architecture.

                  Inside the temple where the pagoda is situated, there are two small buildings: the one on the east side houses a bell,
          and the one on the west side a drum. The bell, an iron cast from the Ming Dynasty, weights 15 tons. Together with the drum,
          the bell was used to strike time for the monks in the temple.

                  Inside the Great Hall of the Buddha in the temple there are three incarnations of Sakyamuni. The one in the middle is
          called Dharmakaya. The one on the west side is called Bao Shen Buddha, and the one on the opposite is called Ying
          Shen Buddha.

In the Doctrine Chamber stands the Amitabha Buddha. On the wall at the east side of the chamber, there are three
rubbings. The one in the middle is called Xuanzang (Monk Tripitaka) carries the Scriptures to Chang'an.

                  In the Tang Dynasty, every successful candidate who passed the imperial examinations would have to climb up the
          Big Wild Goose Pagoda and wrote poems and inscriptions there. This ritual would symbolize a soaring career in the
          future.The fashion of writing poems and leaving inscriptions on the horizontal bars over doors and stone frame-works by
          successful candidates of the imperial examinations went on as far as the Ming Dynasty. These poem sand inscriptions
          have survived till this day as a fine mirror to the city's past.

Admission: ¥ 20 ( ¥ 30 ascend the pagoda)
Opening Time:8:30 - 18:00

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